
Peer assessment eect in speaking skills by means of CLT-drama activities-in EFL B1.2 students
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REVISTA KRONOS 3(2), agosto-enero 2023 | pISSN 12631-2840 | eISSN 2631-2859
THE USE OF DRAMA FOR THIS RESEARCH
Promoting speaking skills through drama results eective for students because it is deci-
sive in deepening the expression of ideas (Hidayat & Apriyanto, 2019) since drama al-
lows to cater students’ diverse learning styles, plus it engages an active participation. We
must remember each student has a dierent learning style of processing information, by
means of visualizing, listening or through their body expression, plus it builds self con-
dence in students who are shy.
Consequently, when using drama, students are able to integrate all skills in their
learning process facilitating the cognitive process. Dramatization is attractive for it gener-
ates creativity which allows students to work collaboratively in problem solving. Engaging
students in the learning process is key to meaningful and lasting learning which also refers
to learning by doing (Zafeiriadou, 2009a), understanding the need of classroom as a space
of transformation (Freire, 2006), the fulllment of the right every human has to freedom,
through art towards strengthening expression and critical thinking (Shaheed, 2013).
Drama also allows learning through social interaction which makes learning signif-
icant, fostering Vygotsky’s ZPD, zone of proximal development (Vigotski, 2000). This
study will focus on drama since studies support the fact that verbal skills have noticeably
improved prociency and real-life communication (Hidayat & Apriyanto, 2019). One oth-
er advantage to be mentioned is the provision of a necessary change to lecture strategies,
transforming Passive English to Active English which drama achieves by means of the use
of diverse strategies and techniques. Drama also oers a powerful tool in problem-solving
giving place to building self-condence (Janudom & Wasanasomsithi, 2009).
Dramatization is a complex expression that requires introspection, reection, feel-
ings, emotions, bringing words alive and has room and exibility to customize our own
thoughts into a predetermined script and the author´s lines, it allows to draw lines con-
necting us to certain characters, resulting in an appropriation of the material through
a work that includes reality and imagination (Barbee, 2010). The use of drama allows
innite opportunities of thinking outside the box and relating to L2 in a functional way,
understanding its usefulness in real life.
RESEARCH METHODOLOGY
To start with this section, it is fundamental to understand what Action Research is. Ac-
tion research is part of a movement that has been going on for some time now, it is a way
of deepening the educational praxis with reection in order to problematize by generat-
ing questions to identify problems and address them according to students’ needs, cater-
ing and contextualizing learning with the active participation of its actors (Burns, 2010).
Action research displays the scope, action and power pedagogy has in deconstructing
traditional patterns of teaching. It oers proposals that enhance learning, relearning, by
means of reection to prevent activities that lack meaning and that only reach the void
of the immediate, displacing the urgency of the profound, lasting and important (Walsh,
2013). It is a way of bringing research (Creswell, 2015) into educational settings provid-
ing the necessary reection to rst hand reality experienced in the classroom.
The research design that was utilized in this action research project was a pre-posttest
comparison design. Field notes, and a survey were used as qualitative tools, while pre and
posttest were chosen as quantitative instruments. The independent variable Peer Assess-
ment, and one dependent variable: Oral Skills Improvement. A dependent variable, that is
evidenced through results of pre and posttests. Table 1 below shows the research design
implemented with this action research (see Table 1).